Ringling by Feld Still Struggles to Click in Circus-Less Makeover ... Self Evisceration Has Its Limits ...

    READING THROUGH an article in The Boston Globe, by Matthew J. Lee, about the current plight of Ringling, there is an implicit sense of failure in the air.  A puzzling failure dogging the Greatest Show on Earth as it once more, in the barn for almost a year, tries to concoct yet another performance formula that may fill more seats. 

    CHILDREN IN PARTICULAR seem to be their greatest concern, as they focus more on teaching them circus skills through You Tube. This, they believe, will grow a bigger fan base for whatever it is they are up to.  Not much in the story about the new show, other than that a live DJ will  spin poplar music.  And that Bailey their bot mutt and a big hit, will be returning. I WONDER WHY?  Nothing better illustrates more than a fake dog, the producing timidity behind this strange self-eviscerating makeover. Is that Irvin Feld I hear screaming from his grave? 

    CONCEDED CEO JULIETTE FELD Grossman to Lee,  they face “a bit of an identify problem. We were out of the market for a number of years, and in that time a new generation of kids was born and families found new rhythms and different places to go for their entertainment experiences.When we brought  back the touring unit, we had done a lot of soul searching.”

Is the Big Show stuck in the wrong venue?

      BIGGER PICTURE:  Years ago, a circus could count on a higher percentage of American to patronize it.  In Santa Rosa when Polack came to town for two days, up to half the town may have seen it.  There still is a market, but apparently not nearly what it was

    IF I TOLD YOU that New Ringling drew six to eight thousand people per show in L.A. last summer, you might be impressed. But in the 18,000 seat Crypto arena, the optics were unflattering.  

    WHEN JOHN RINGLING NORTH ordered the circus indoors back in 1957, a far higher slice of the American landscape still favored circuses.  Not so much now.  And this may be the Feld's biggest problem – would they, could they to go back under canvas?  I doubt it.

“Something New happens roughly every three seconds.”

      A TRULY BIZARRE PROMISE from Grossman — is she out of her mind?  No, she’s taking a cue from the speed at which her Monster Truck Shows rip and tear.  Rapid Ringling, the new rage?   
  
    QUERIED ABOUT LAST YEAR'S BUSINESS,  answered Grossman “ticket sales were strong for the first  tour.” I’ve read that in some of their last dates, they were begging for customers.  Scathing Yelp Reviews were of little help.
                                        
    ABOUT ALL THE NEW CHANGES going on at the circus that no longer dares  speak its name,  writes a sympathetic Lee,   “That hopefully will lead to ticket sales for the show.”

For  “the show” — hopefully, if not the circus.

     PERSONALLY, I HAVE ALL ALONG  believed that Ringling should have led the way in showing America a true circus still, yes, without exotics but with dogs and ponies and camels and  horses, etc.  They are failing to do what other circuses around the world, such as Zoppe Family, are doing. The irony is that they may be by far the richest organization and have all the resources to do it, including valid experience in putting out one-ring tent editions. We are living through the saddest chapter in Ringling  history.

Thanks to Don Covington for the link. 

OUT OF THE PAST: Blundering Big Tops: Ringling Ditches Portland-Seattle ... Big Apple Pitches Pony Rides .... Fly-Shy Circus Vargas Dishes Half a Show ... And the Elephants Apply for Assisted Living ... Who Said the Circus Was Alive and Well?

 

Something happened at the Big Apple Circus that nearly took my breath away.  No, not an act of art, but an act of commerce. Commerce of the kind you normally do not associate with “New York’s own.”

Well, now, New York’s own sells pony rides!  Yes, they are that flat out desperate, it appears, this being another of their recent Make-or-Break Seasons.   Another round of bailout money from Wall Street Greed may yet come to another rescue.

I once wrote a book called Fall of the Big Top and one fan of good intent, likely speaking for many others, was Don Covington, himself then company manager for the Big Apple Circus.  Don e-mailed me his pleasure over many memories my book brought back. But he also wanted to make clear being understandably at odds with my misleading subtitle: The Vanishing American Circus.  Wrote Don, “American circus has not vanished, it is vital and evolving.”

Don may have been right, then. Now, the word devolving seems apt. In fact, the subtitle should have read The Vanishing Great American Three Ring Circus.   That’s what I was really thinking.  And so the blame lies with me for ticking off anybody else out there who felt the blunt edge of overstatement.  And still ... Now, if you will pardon my incredible disrespect, I am wondering if in fact the American circus is in any form, old, new, in rehab or on parole, not slowly vanishing?

In peak Big Apple years.  Marty and Jake LaSalle, 2008, just plain terrific.

The stomach-turning news of the pony ride felt like the last nail in a coffin.  Pray it ain’t so.  Reaching beyond White Tops and Circus Report for a sliver of reality, I found but one review on Trip Adviser.  Be warned, the following content may not be suitable for circus fans of any age:

 “Its expensive, the acts are dated and boring, both me and our 10 year old fell asleep. Everything is overpriced and the stupid pony rides a big ripoff. Ok if you're 5 and never seen a circus before.”

Fair, balanced, and boring: I must say, from the photos I’ve seen of the new show, it looks quite promising.  Reviews?  Count on the New York papers to usually give New York's own circus a valentine pass.  

.

What next under the Big Apple tent?   Mass audience participation?   They could sell seats in the ring itself, making it easier for audience members (or shills) to already be in place when a clown comes calling.   A one hour Shrine-like intermission for peanut peddling?  (Hey, I might go for some cashews.)  The passing of a ringmaster’s hat?

The audience getting into the act is what's packing our tents these days, right?  Hey, you won't see that at Monte Carlo!

Around other beleaguered rings, more reason to rue the same.  Take Ringling, dumping Pacific Northwest dates, Seattle and Portland not deemed profitable enough to justify rail bills into the region. Locals up there none to thrilled.  Where instead will the trains now be routed:     Berkeley?  The Bermuda Triangle?

Feldishly fading: The Gold unit is history. So, of course, soon the pachyderms, destined for medicare and Assisted Living. 

Meet forced Floria retiree Mabel, being fitted for glasses under JumboCare.

Half a Vargas:   If you go, be prepared for a great first half (to be kind, I am overlooking a lame story line too cliche to credit): a sure hand in the gifted direction to cheer; excellent taped music; inventive staging around two jugglers working simultaneously; a clown, Alex Acero, who is very funny when he is being a clown (see my write-up about him a few posts down).  There is the commanding Patrick Marinelli, an illusionist and fabrics flyer of swaggering star power; terrific trampoline and wall bouncing exploits.   There's a lovely (rather than mandatory) aerial ballet featuring the winning Cathy Poema on a compelling lyra workout, and without wires.  So, into the break, the artfully exciting first half delivers big.  And this even without a double wheel and Marinelli on straps -- two turns advertised but not seen the day in Hayward when I went.  I felt so good, that I prayed the feeling would carry over into the last half.   A solid 3-star show, minimum, in the making.

Now, if you go and feel as elated as I did at the half way mark and wish to hold that feeling on your way out, then on your way out should be at intermission. Stop there.  Run, do not walk, but LEAVE.   What will you be missing?  Other than the classy Poema family on risely, whose once cute little boy now struggles to redefine his persona (a diet would help) nothing else is notable. Nothing.   Never have I seen so many “flyers” doing so little on the flying trapeze.  With only one hundred plus in the tent the day I went, guess they weren’t in the mood.  Never are when I’m there.  Maybe if they performed no matter the house size, more people would show up.  I counted two motorcycles in the big globe. Whoopee.   Dull.  Empty.  Done.

Vargas feels like a circus not wanting to be a circus.  Lots of Cirque du Soleil posturing this year. End point offers vacuously irrelevant ensemble dancing.   Such a let down after the stellar first half.   Good golly, Molly,  would it break payroll or cause PETA to riot if a dog act was allowed into the ring.  Just a dog act?

All these depressing developments are pushing my pen into Big Think mode.  Gotta warm up another cup of Gen Mai Chi tea.  There’s a thread I’m threading through all of this — a reason why, no matter what they do, the public may still stay away in large numbers.  And here it is:

Enter the ambivalent circus audience

Come back someday, and I might run with it.

Bye!

First posted November 10, 2015

SEND BACK THE CLOWNS! The Good, The Bad, and The Ugly of The Re-imagined Ringling, from REDDIT

I'd never gone to Reddit before for reviews to quote, but to my surprise,  under a thread headlined  The Good, the Bad, and The Ugly of The Re-imagined Ringling, I found a slew of even-handed comments by people who, for the most part, seemed neither aggrieved  circus fans or the PETA crowd, itself never missing a chance to spread more anti-traditional circus hate. These  voices reveal much that we have only been able to speculate about. 

So I am posting these here for a few days, and will then move the post down deeper.          

Highlight Quote:

"The robot dog Bailey was met with mixed reactions. I have never witnessed hundreds of people mass-discussing something all at once, which was bizarre."

u/Skater73 avatar
Skater73 6mo ago

I'm deeply concerned with the lack of audience showing up for these shows recently. I saw the new Ringling back in March, and the audience was quite large on a Saturday night. However, recent tour stops seem to be struggling to get people in the door, especially for evening shows.

I have seen a lot of advertising on TikTok, YouTube, and local media outlets but not much in the way of physical billb live in a mostly rural state with an older oards, fliers, etc. This is a major mistake for our area, as we population that likely won’t see much of it.                                               
    
hexualattraction
4mo ago

I was working at a stadium and Ringling came through. I didn't get to sit and watch the whole thing like a normal patron, but I did see quite a bit. I believe Equivokee - the three guys doing physical comedy are in fact clowns, like trained as clowns, but I believe since the US has such a bad association, they had them pare down the things that folks associate with clowns.

For example, even board games from Europe that feature clowns get stripped of them with localization, in order for the American market to engage/play/buy them.

All this to say, I think if Ringling performed outside of the us, clowns would be more apparent,and that it's kind of an American thing that they've been stripped out.

I did find the competing acts to be strange, it felt like so many talented people were sort of shoved off to the side, I think to try to keep peoples focus somewhere, but it felt pretty disrespectful to the performers.   

r/circus icon
Go to circus r/circus•
6 mo. ago

 The robot dog Bailey was met with mixed reactions. I have never witnessed hundreds of people mass-discussing something all at once, which was bizarre. I will personally miss the animal acts, but I am interested to see what can be done with similar technology as Feld Entertainment has used puppets and animatronics in other shows.

The Bad: For a show focused on human talent, it’s incredibly disappointing to see the removal of time honored roles such as arena clowns and ringmaster. There are several show guides and physical comedians which were entertaining in their own right, but it mostly felt like a hollow attempt to distance the new show from its past.

The stage direction is somewhat confusing. During the BMX stunts, a Chinese pole act was taking place on the opposite side of the arena. As someone else recently mentioned in this subreddit the circular overhead screens were missing, which would have been nice as I could barely see it even from the lower level.

The sound was a bit muffled, which often confused the audience resulting in lukewarm responses. I have no experience with entertaining but I imagine that can be a real confidence killer

Other notes: I attended Sunday’s performance midday and some friends attended in the evening, the arena was less than half full on both occasions. Historically our city has produced a good turnout. I am unsure if this decline in attendance is due to the retirement of traditional acts, loss of relevance, cost, or other factors. The show will be in town this weekend and the following with approximately two shows daily Friday-Sunday, so maybe the others will fair a bit better.

Our friend’s six year old daughter was attending for the first time and lost interest several acts in, they did not return after intermission.

r/circus icon
Go to circus r/circus•
6 mo. ago

The Good, The Bad, and The Ugly of the re-imagined Ringling 

conclusion: Like many others I am left feeling a bit mixed. The performers were excellent, but the show itself needs work in several areas.

Ringling may have a difficult time living up to the expectations of longtime fans and retaining first-timers after the revival tour. I will be returning when and if it is renewed, but my friends and their daughter may not.

Needless to say, it is vital for Feld Entertainment to be receptive to feedback if they hope to remain relevant and continue turning an audience. 

ccb621
6mo ago

Aside: Why not post this after you’ve seen the show and have more to contribute to the conversation?

The animals will never come back. They are public relations and logistical nightmares.

I attended a show in Oakland, CA. The arena was not very full. The tickets were about $225 after fees for my family of three. We’ve paid more for Cirque du Soleil and far less for Monster Jam (for almost the exact same seats). 

Cirque remains the pinnacle for me. Ringlimg isn’t there. The show was too kinetic and distracting. There were screens with performers’ names and countries glaring just at the performances were beginning. This would be fine if there was one act; however, at one point there were three separate acts happening simultaneously! I had no clue who to watch.

This was barely okay for aerials. I think they had straps in the center with two folks on silks to the sides. This was downright insane when they had an aerial performance and folks jumping through hoops. 

I felt like they were trying to toss in a buinnch of acts to make folks feel they got a good value. In reality it felt cheap—quantity over quality. I recall at one point wondering why the show hadn’t ended because it just felt so long. 

I don’t think everyone needs to follow Cirque exactly, but it might help to learn a bit from their model. A story or through line connecting the performances would greatly help the flow and progression feel less frenetic.

I hope they make it work. I saw one of the last performances of the old company in Providence, RI, and it was quite good, so I know someone can help write a better show.

 No-Commission-242
4mo ago

I won't waste my money again.  I knew that there would be no animals,  but didn't know that there wouldn't be any clowns.  I've got my memories from when I was a kid and I'll have to live with that.  It's bad that I built it up to the grandkids and had to look at the disappointment on their faces.  All of the people around us felt the same.  Take them to Chuckie Cheese and everyone will be a lot happier,  plus you can get them much better souvenirs.

SUNDAY MORNING NOW: The Show Must Go On ... or Must it? ... Big Top Ballyhoo Shuns the Old ... Circus Reviewer Reveals Crowd Size ...

12,557 page views on 5/6 - my most popular post ever

RINGLING IN RETREAT? - One bot mutt for sale? Has appeared with the Greatest Show on Earth.

What is happening to Ringling? To Circus or not to circus? That may be the pressing question dogging Kenneth Feld for the next ten months while he  creates an  “all new’ edition.  How new? How different from the first? Does he need ten months in hiatus to figure it out?  Thriving entertainments usually have next year’s model in the works, ready to take up the parade when the current cast leaves it.

Seems severe to me. As I understand it, when a company closes down for an extended period of time, usually the reason is too re-invent itself or its product line – in order to stay in business.  Ringling closed down mid-way in the 1956 tour when John Ringling North struck the big top for good and made known his plans to move it indoors. Some fans hoped he would change his mind.  No luck. He had foreseen a more viable future ahead.

If the Felds have been reading the outcry of unhappy Ringling customers on Yelp (average 1.5 stars), they  can’t ignore the enthusiasm most Americans still evidently feel for animals and clowns. When you take away two of the three staples of circus, up goes a roar from the masses. The last to cry ‘no!” on Yelp:

Thalia H.

Norfolk, VA  Mar 22, 2025

"I've never been so humiliated in all my life I'm going to the circus in New York City at Madison Square Garden for many years as a child every year I never missed a circus there were animals and clowns I don't know what Ringling Brothers and Barnum & Bailey Circus is doing now with these acrobats nobody wants to see acrobats a circus is not a circus without animals and clowns it was a waste of my money I am so disappointed I don't know what in the world to do I will never attend another Ringling Brothers and Barnum & Bailey Circus again without the animals and clowns."

"Humiliated" That's a new one. From AI? 

I have no idea what their business has been. I only know that when Ringling played the 18,000 seat Crypto.Com Arena in Los Angeles, according to an inside source at the arena who took my call to inquire about business, they were drawing between six and eight thousand per show.  

Strategic blundering?  Even the smartest of showman can make big mistakes: When  Feld removed the elephants from the show, winning high cheer from animal rights hysterics and their fawning media acolytes, I was left dumbfounded by his not having at the same pivotal moment also removed the big cage act as well.  This gave PETA sanction to continue harassing customers outside the arenas.  Give them a dog and pony show, and they'd come off looking like fools.

And then, six years later, when Feld unveiled his comeback edition., I was left equally baffled by his wholesale elimination of clowns and animals.  Will ten months in circus rehab give him pause  to consider a more fulfilling outcome?

What to expect? At the moment, even Keneth Feld may not know.  But he has plenty of time to bring off perhaps the most spectacular comeback in show business history by reinstating the dazzling  totality of what Ringling once stood for.  It is not irrational to imagine dogs and ponies and horses and kitty cats, among other domestics, bringing back a major part of  “the greatest show.”  When I saw the last old-school edition around 2017, a pig coasting down a slide nearly stole the show . 

The circus that no longer dares speak its name needs to come back.

CIRCUS BALLYHOO --- FACE OF A BARN TO FACEBOOK

Long gone are the days when splashy 24 sheet lithos covered half the town. When was the last time you spotted circus imagery on a billboard?  Across the Big Pond, some Brit circuses are now almost exclusively  marketing on  social media, and gradually giving up on  newspaper ads pushing discount coupons. As covered by Douglas McPherson in The Stage, show owner Zippo revealed that he has  stopped running them because nobody appeared at the ticket window with one. That is, while there was a ticket window. Heck, even the red wagon is disappearing over there  as Paulos and Circus Zyair are shutting theirs down. 

But not so fast, argues Julia Kirilova of the Big Kid Circus:  “Posters still have a big impact. People still expect to see them. We are a business which depends a lot on feelings and nostalgia. Everyone knows circus and has a distinct memory of it. Our job is to find a way to make them remember that feeling, whether that is through a short video clip on TikTok or a poster.”

(I guess I was a dinosaur a few years ago, when I picked up a coupon offered in a Vargas newspaper  ad, took it with me to the show and tried getting a resistant lady at the ticket window to honor it. She nearly scowled, claiming never to have known of such a thing.  I let it go, feeling like a stool pigeon from a long lost world.)

Zippo told  McPherson that everyone buys on-line tickets on their phones as they enter the midway.  No need for cash and tickets.  And Sir Douglas rues a day walking the grounds where only yesterday, billowing tents had adorned it.  “There won’t even be a discarded leaflet or ticket stub in the grass to prove it was over here?"

Well ... maybe with luck, a loose nut from a bot mutt?

REVOLUTIONARY CIRCUS REVIEWING LISTS CROWD SIZES

Also over there in Brit land, get this:  A reviewer for the Circus Diaries blog, Charlie Holland, is listing crowd sizes.  Recent disclosures:  300 (about one third of the tent) at Zippos; 500 (half a house) at Big Kid.   That's quite refreshing, although yes, I can imagine that many fans would rather not know. But this does not surprise me. I often see those kinds of turnouts when I go to a circus.

Still, it's nice to see a reviewer taking the time to address both parts that make up a circus performance, the show itself and the audience.  A trend?   Don't bank on it.

SUNDAY MORNING NOW: A Challenging New Day at the Greatest Show on Earth: Hyperactive Set Design, Feeble Direction Suck the Life out of an Ageless Delight

 from 7.15.24

Acrobatic Circus Review
Ringling Bros / The Greatest Show on Earth
On You Tube at Columbus, OH, 8 months ago

Preface. I had imagined being lyfted out to the Oakland  Coliseum, right up to the arena.  No, I would have been dropped off at a gate on the edge of a parking lot along one of the town’s deadliest streets. No thank you.

Once, again, as with Vargas last year, I am left muddled in a dizzy dichotomy between the acts and the production. So, let us take them one at a time:
        
THE ACTS

On balance, they are a sturdy, sufficiently accomplished  lot — when not hooked to lifelines, falling into nets, or grabbing hold of rigging between tricks. To my (jaded?) eyes, only a precious few rang my WOW bell.   Most of the action favors the customary staples: teeterboard, webs,  hand balancing, contortion,  juggling, flying trapeze, high wire, double wheel, Rola-bola, and the human canon.

The show lifts off now and then, and I wished there could have been more of the show-stopping mastery produced by two absolutely terrific risley acrobats. A+ in my book.  In fact, for me, the highlight of the program. 

Other notable high points include two criss-crossiing trapeze acts, which marks a refreshing interlude from the norm.  And there are two double wheels instead of one, offering a tad more tingle to what is regularly expected. These riders worked overtime.

In addition to the staples, show offers gaucho dancing and young bike-riding daredevils up and down ramps. 

At the top: America’s own Wesley Williams, who has a talent for being human, something this show could use a lot more of, scores big time with his sky high ride on a 35-foot high unicycle. I felt a genuine thrill even though he was life-lined; without which, a crash landing over the audience could spell catastrophe.  His act has been split into parts performed at intervals. A shame, but the show benefits from his ingratiating recurring presence.  Indeed, what is lacking the most in this strange antiseptic comeback is a personality.

Where was the robot dog? I might have missed him during Wesley's turn. The you Tube I saw appeared to contain the entire show from start to finish.

A couple of kind of charming clowns take up little space inconsequentially.

THE PRODUCTION:

As for Ringling’s over the top set – stay with me here --- I saw three hills (or platforms), roughly spaced as in the old three-ring layout. On and around them, the performers tend to look smaller and diminished, like ants lost in a maze of flashing light patterns that grab our attention, in effect dissipating the action. In effect, disrespecting the artist. Whatever was Kenneth Feld thinking?  Does he have so little faith in his talent pool which he claims to be world class? 

On the  outer two ant hills of Ringling, other acts endeavor  to snare a little attention, one of them, a group jump-roping troupe that may go four-high.  I would love to have seen more of them.

Spectacle?  Dancers and hand clappers circle the arena periodically in an effort to rouse the audience, which can feel somewhat hollow and obligatory. 

A trend not worthy of the “Greatest show”–  The insidious invasion of mechanics are of no help here. These tell-tale safety wires can render the user a lazier, less skilled artist, no longer needing to rely on exacting technique in order to avoid a plunge. Thus, they now can get away with being sloppier, less tautly disciplined.  The performance suffers.

Music: An amorphous recorded soundscape with a cold  heavy beat left me in a fog.  Totally unmemorable.  This, from the Greatest Show on Earth?  This from a billionaire  circus owner?  

At the  very end of the performance, Wesley alone, in street clothes, comes running across the set -- a touching human image closing out a cold, impersonal enterprise.

All of the above notwithstanding, the crowd was large and responsive. For all we know, the show may be cleaning up, in which case look for more of the same to continue.  But why do I still see widespread hostility in Yelp Reviews, still  averaging 1-1/2 stars?  (Vargas is drawing 4).

Let me close with a recent Yelper from Brian, Willow Grove, PA, May 29:

 "Save your money. The American circus is officially dead. There is no Ringmaster. There are no clowns. There is no pageantry. There is no National Anthem. You cannot buy a pennant. There are no programs sold. They won't even say: "May All Your Days Be Circus Days." They lamely announce: "May All Your Days Be Ringling Days." This costs hundreds of dollars a ticket?"

 My Rating:

Acts B+

Production values: D

May all your days be better than this one.

First published 7.14.24

Ah, What Unmitigated Joy It Was, When Circus Ruled the Hearts of America! ... Here's John Ringling North's 1951 Opus at Madison Square Garden, Opening Night Galla for the Heart Fund ... AI Botches Big Top History! ...

Updated below, 3.20.25

Movie Star to Circus Star!  Is that you, Celeste?

Thank you, Shutter Stock!

Yeah, Jimmy, high nose it!  I can feel your joy. That's the greatest Greatest Show up, down, and all around!.

I'll take greatness in grainy any day over schlock in pixels. 

How I would love to have attended one of those Opening Night Galas at Madison Square Garden, when the arena could be drenched in famous faces.

 

 

Do you see any faces wreaking of issues?  Looks to me like a totally embracing crowd

 

There Goes Otto, back into the audience that he can't stay away from!

 

Weary Willie, what are you thinking?  To clown or not to clown?

Serendipity tossed these dazzling mages my way.  The year is 1951.  We're at the circus, opening night at Madison Square Garden ---  a benefit performance for the Heart Fund.  Do I see celebrities riding the floats?  Is that Celeste Holm on the elephants trunk? (Marilyn Monroe rode one in 1955)  My favorite is of Jimmy Durante lapping it all up on the sidelines.

This was the show being filmed by Cecil B. DeMille for scenes in his his epic film The Greatest Show on Earth.  The cameras rolled in Sarasota and would be rolling once again when the show hit the canvas road in Philadelphia.

********* updated:

PS I wanted to sign off by quoting some lines from "Come to the Circus" from the GSOE, so I googled in vain for the lyrics, and got this from the latest advance in digital domination:

AI Overview
Learn more
The song "Come to the Circus" from the movie The Greatest Show on Earth doesn't have a specific song title or lyrics. It's a musical piece used in the movie's soundtrack, and it's part of the musical score, not a song with specific lyrics.  

Artificial Idiocy anyone?

From AI to DC: 

Came an e-mail from a friend to this blog, not the first time he has offered valuable corrections or missing facts needed.  DC for Don Covington, referring me to  a record I already have and was only listening to a few weeks ago! Okay, maybe I preferred pushing how impossible it was googling up the lyrics (never had trouble finding any song before) over re-listening to Harold Ronk's highly entertaining A Seat at the Circus with "Mr. Singing Ringmaster."  A record I highly recommend to all.  So I put the record back on my turntable.  Ronk opens the show on a high note:

Come to the circus!  See  the circus!  If we're not very careful life can overwork us!  So take today, and make it gay, for there are too many tears along the  way ...

One for DC. None for AI.

Thank you, Don.

Wrapping 2024: Ringling Self-Reviews ... Cirque du Soleil Swallows Ballet ... Marcks and Mechanics, Kellner and Zoppe and Ring of Fame Plaques ... Doggies from Shelters, So No PETA Cracks!

             CIRCUS SPRINGS ETERNAL,  does it not?  A clump of papers, e-mails and notes before me, ignored or kept back in a gathering year-long stack, promise some kind of attention ahead, as I ramble through them before the current season goes bye bye into the barn ... After a rough shuffle, here is what randomly I face, from the top ..

            “A WEIRD AND WONDERFUL LIFE” for the  Zoppe Family, headlined a 2022 story from Redwood City’s On Line,  Dan Brown, profiling the old world Zoppes, with a focus on the current Zoppe leading the zip, Giovanni. They are doggedly old tradition, circa1842, all except for not using candles.  Why not? Answered Giovanni’s wife and marketing director Jeanette Prince, to Brown:  “Only because the fire marshal won’t allow it!” In the tent photo, above.     

   SCOTT O'DONNELL,  Circus World’s departing CEO, letting go of having to deal with its new bureaucratic owners, the Wisconsin Historical Society, as he tactfully implied to me when I called him.  An undercurrent of acute disappointment came through ... A big big loss in my outsider opinion.  A new CEO yet to be named.  The selection might tell us about the split.  Watch for a big name insider.

         COME ALIVE! ... Staying closer to  vintage sawdust, the new musical in London town, Come Alive!  The Greatest  Showman, is drawing boffo notices and luring good crowds to  its little 700-seat big top .. . Seems that the parade flies highest  on songs and acts, lowest when stumbling through inane story telling nonsense: Whoever went to a circus for this?  Memo to theatre snobs of increasingly idiotic irrelevance:  Out, damn dramaturgs, out!

           SID KELLNER WAS SOMEBODY ONCE   His brief reign as big top tycoon with James Bros Circus, founded with a popcorn machine in the 1950s, left some of us forever enamored of what he might have been.  Among them, Don Macks and Alex Smith, the later  recalling for me the day at Bentley Bros Circus in Vallejo, 1989, when Sid was guest of honor.  Chester Cable  "gave  great stories about Sid, wrote Alex.   "He was a handful," added Winni McKay.  I can relate, having toiled for King Kellner, and yet still miss his him to this day.
   
           GIVING NEW RINGLING A RAVE  While major media refused to review the circus that dare not speak its name,  in effect letting it review itself to Q&A reporters, a few others  fearlessly filled in the void.  London’s front line circus watcher and critic Douglas McPherson issued golden accolades, impressively noting the absence of many Cirque things that some of us, myself among the doubters, expected to see.  “Ringling has not switched camps.  There is no story line here, no theme, no message, no attempt to dress circus up as art.”

         SO HOW NEW OR NOVEL IS IT?  “It’s a traditional circus,  perhaps we should say New Traditional," opines Douglas.  I like that, although “new” is still being mostly met by an avalanche of unhappy Yelp Reviewers, wanting nothing to do with a sterile makeover.   I’d guess there’s a younger crowd ready to be entertained, and  that, given ticket and concession pries, the Feld of Felds may be cleaning up, ho ho.  Show has dates lined  up into spring.

       “WITH THE GREATEST OF EASE,” we once sang of the daring young man flying high. That word ease, and example of which -- Belmonte Cristiani, above, long ago -- feels more  meaningful to me now, as the ageless delight is more and more strapped to mechanics (lifelines, kids).  An abundance of unprotected ease charmed my heart while watching one of my favorite DVDs, highlights of the Ringling show as broadcast in 1968.  Then to my eyes, ease was more noticeable than now. Ease in the landings.  Ease in the connections. And why might that be? 

        THE PERILS OF SHUNNING PERIL  Could it be that performers in a circus without mechanics  are driven out of fear to perform  more cleanly so as NOT to risk a fall?   Oh, how softer the landings, how crisper the connections back then, before Soviet Circus era safety wire precautions invaded and practically emasculated  the rings.  Oh, how majestic the artistry!  Even Charlie Bauman, such a gracious showman, held court among his chummy tiger friends  with the greatest of ease!

           PRAY FOR  THE RING OF FAME PLAQUES  Many were attacked by  recent storms, leaving them smeared and cracked.  An update down the Covington Chute from the Circus Ring of Fame Foundation, tells of a dire outcome for 160 plus plaques  to be   “pressure washed.” The damage of each will be assessed for restoration treatment, expected  to go well into 2025.  A sad tale.

         HAS THAT ACT A NAME?   Increasing frustration, pulling up a website and wishing to see photos and names of the acts.   You might find photos with no names, or you might find nothing.  Here are three shows that deny us the obvious:  UniverSoul, Royal Hanneford, and Zoppe.  I understand this annoyance is also offered Brit fans by some of the circuses over over there. 

         AND OVER THERE IN BRIT LAND, the lions aren't roaring any more than they are over here, and  most big tops leave four legged critters out of the lineup.  Doggie stars everywhere should go on strike!    Has anybody heard of The National Dog Show?  Slowly, some of our more timidly produced shows are daring to reboot canine capers.  Big Apple Circus  brought back a pack of them to its recent Lincoln center opus. all only because, of course of course, yes, yes, okay they were  “rescued from dog shelters.”    Below, the three human fountains on Big Apple -- a knockout.

       CIRQUE DU YOU TUBE  Circuses near and far are never far away on You Tube, and that’s an armchair luxury.  Cirque du Soleil on the comeback trail is putting out one hour compilations of acts from three of its shows, and what a leap from where they were when last I saw them.  Now what I behold is  the most  persuasive merge yet of circus and ballet.  And I thought it couldn’t be done.  There’s even a fake animal on  the bill.  Really, rebranding is in order: Cirque du Ballet –  Eye Candy Acrobatics.  Would two hours of what I saw hold me?  Not so sure, the artistry seemed on the fundamental side, the acts maybe Montreal made. There latest opus, ECHO, a $30 million baby three years in the womb, is drawing wildly mixed notices, the negatives impatient with opulently obtuse narrative nonsense. Below, oh by gosh by golly, a fake horse -- out of desperation?

          BILLION DOLLAR BIG TOP  Per Fortune Magazine last April, though Cirque’s attendance is up from from pre-Covid levels  (sales then dwindling), they “remained saddled” with half a billion-plus in debt. No longer much of a fan, yet I rue, driven by the mesmerizing eye candy alone,  not having seen them when they were in San Jose recently. You Tube images are shimmering, bodies flying and floating over and around each other through staple acrobatics.  Yelp reviews reveal a growing number of people growing tired of it all. 

           DOWN THE LANE OF TALBURT  A late-breaking entry,  inspired by watching on You Tube a video he took of the wining Beatty-Cole performance in 1993, this is to acknowledge his great visual  contributions  to American circus history.  I am watching all the acts, clearly filmed, unlike so many videos taken by patrons from a fixed location, behind poles and patrons passing. Such a pleasure.   Thank you, Santa Lane!

       A TELLING VOICE I WILL MISS:  The passing  of Bill Taggart at 94,  a prime contributor to my coverage of the last days of Ringling under canvas in 1956, as profiled in my book Fall of the Big Top.  His days  on the Big Show in the yellow ticket wagon involved show-sanctioned short changing, a rather shocking  reality he made known to me and  in articles he wrote. He also shared with  me a disclosure on John Ringling North's personal proclivities, hard to believe, but then backed away and asked me not to repeat them. Maybe more on this in the coming year.

            RARE VALIDATION AT CAMBRIDGE A smiling cross-pond discovery this past year that my first book, Behind the Big Top, originally published by A.S. Barnes Over Here, the Tantiviy Press Over there, was published  an online in 2009 by Cambridge University Press.  A cap and gown for me?  I  had felt honored that the book was was reviewed by  circus connoisseur par excellence,  Antony Hippisley Coxe, excerpts of which appear at the top of the book's listing.   These seem to include only his  warmly affirmative words, not his extensive criticisms of incredibly inept editing and sloppy research on my part, all justly held.  I look forward to re-reading  Coxe's  wonderful 1951 A Seat at the Circus.

        STILL MISSING CIRCUS REPORT   The nice lady e-mailing her pleasure over the fist of seven posts I did on Circus Report founder and long time publisher, Don Marcks (she was a part of his variety shows), and anxiously waiting for more to come, and then, when more came, going silent thereafter.  Did I err in showing his more human side, such as a marriage quietly annulled?  Many of us still rue the absence of Don's labor of love, Jim Royal among them: "In those pre-internet days, Mr. Marcks provided a very valuable service to our industry." Were Don alive today, I have no doubt that he would be putting out CR online.

       LET THE FIFTIES PROUDLY PARADE!  Let me send you off whistling up a long long list of circuses touring these shores in the year 1959, as provided by John Swan’s The Circus Review.   You might be as amazed as was I, coming  across this by accident.  And who was the idiot quoted on Pledge Break Society’s (PBS) intolerably sloppy documentary, Circus, clamming that Ed Sullivan "killed the circus" in the the 1950s?  Here are all the circuses he did not kill.

Humbug!

UNDER-CANVAS CIRCUSES

Adams Bros. & Sell Circus.
Beers Barnes Circus
Carson & Barnes Circus
Cristiani Bros. Circus
Clyde Betty & Cole Bros Circus
Famous Cole Circus
Garden Bros. Circus
Hunt Bros Circus
Hagen Bros. Circus
King Bros Circus
Kelly-Morris Circus
Mills Bros. Circus
All G. Kelly & Mile Bros circus
John Strong Circus
Sello Bros Circus

INDOORS, BALL PARK CIRCUSES

All American Circus
Bailey Bros Circus
Clyde Bros Circus
Circorama
Dobritch Circus
Orrin Davenport Circus’
Don Francisco Circus
Faabian’s circus
Gil Gray Circus
Gene Holter Wild Animal Circus
Garden Bros, Circus
Hamid-Morton circus
Harold Bros Circus
James Bros. Circs
Polack Bros Circus
Rudy Bros Circus
Ringling Bros and Barnum & Bailey Circus
Tom Packs Circus

The billowing big tops remain a world unto themselves, operating slightly on the edge of mainstream society and culture. And may they remaini that way – exotic to robotic, real or fake, candles or no.

Keep your cards and e-mails coming. You never know what might appear here next December 31. I am not so prone now to carelessly throw stuff away.  In fact, if the stack warrants, I might do a mid-year catch up in '25.

HAVE A HAPPY SNAPPY NEW YEAR!!!

Two Phone Calls, One About Scott O'Donnell Leaving Circus World, the Other About Ringling Crowd Sizes in L.A.

Sometimes today when we are drowning in AI, bots, and even the "Operator" no longer being there,it is possible to get through.  I just start dialing numbers, hoping that one will still work, better yet, might deliver me to a living human being from the age of He and She.

FIRST CALL: Why did  CEO Scott O'Donnell, as the official story goes, which he confirmed when I reached him by phone, "resign" from circus world?  Scott would only say that he and his overlords (aka: Wisconsin Historical Society) did not share the same vision for the future.

So, dialing for balance by reaching out to WHS and leaving  messages with, among others, Colleen in Media Relations, she did return my call!  I asked her if she could explain how they had come to loggerheads. She promised to consult with others and get back to me.  This she did, but with not a single word answering my specific query.  She sent me the same press release that I already had, which  I quoted from in the story I earlier  posted.  An expert in the ways of the business world might be able to decode this, but I am not going there. 

SECOND CALL:  To Crypto Center (previously Staples) in L.A, about Ringling's recent three day stop there.  To the guy, Lewis, who answered the phone, I said that I was hoping to get an estimation from them of the average number of customers in the seats per performance.  He did not waste an empty second in evasion or passing the buck, but answered: "Between six and eight thousand." The arena seats 20.000. 

Would that have been a disappointment to Crypto, I asked my source.  "No," he replied. 

You can look at the figure in two ways:  What a flop!  Not even half houses!

Or, you can look at the figure in context.  Is there another circus out there anywhere in the world that draws that number of bodies in the seats?

EYES ON THE SCENE: And how did Ringling show?  I have a deep state source who was on the scene and noted that the ends of the arena were blocked out.  Pyrotechnics "were greatly reduced" and the large overhead screens were not in use.The show, he reported, was a "scaled" down version of what he had seen at an earlier date months ago, which amounted to him as a "thinning of the herd." (I like that) For example, an Ethiopian father and son foot juggling was not on the bill.  Some of those in his party, he noted,  were critical of the show, but he stood by the excellent review he had given the show when he saw it earlier in the season.

End of on-the-ground reporting the older fashioned way.

SUNDAY MORNING NOW, IMMERSIVELY YOURS: Tornadoes Topple Tops ... Daring Dames Dare Globes of Death ... Garden Goes Nuclear, Vegas Goes Artsy ...

         
     OLD CAN BE NEW AGAIN: Take a tent fainting under nature’s wrath, and you may have a tour suddenly gone down with a vengeance. That would be our visiting tenter from Germany, Great Bavarian Circus, whose big top got hammered to shreds by a tornado thundering across the East Coast.  Sad sight, the party over almost before it began. They came here to share, and they have my deepest sympathy. 

     ANOTHER TENT IN SHAMBLES is Florida State University’s Flying High Circus. “It was jarring to see it all go down in that manner,” told director Chas Mathes to the Tallahassee Democrat. Not just one, or two, but three EF-2 tornados. Back to Italy goes FSU, needing a replacement top from the land that created (or did they?) those fantastically shaped modern day Scheherazade tents.  Maybe the passionate Italians will give FSU a courtesy discount.  Fly on and Higher, Flying High! 

     TUNE UP YOUR GIRLY GRIT, Brit gals!  Crcuses are looking for you.  It’s happening across the Big Pond, reports our London informant on the go, Douglas McPherson, in The Stage. He profiles the founder of Ireland’s Daring Dames Festival, Dea Birkett.  Now in its third year, her show  fosters an All-Female Cast. While, over at Big Kid Circus (love that name), they’re touting  “Europe's first all-female Globe of Death motorcycle riders,”  the Kirilova Sisters trio.  And just when I was hoping this monster bore of a stunt would blast its way into infinity’s graveyard.  Here’s what I’d relish: Put a pair of high-stepping distaff daredevils teasing trouble on the double wheel.  How’s that for a ballyhoo?     

     DAMES ON FLAMES: These equity-pandering innovators are said to be aimed at challenging gender stereotypes in the ring.  Okay, I’m usually ill at ease with such a hollow premise, except that here, McPherson quotes strong woman, Aoife Raleigh,  knocking down a shamefully biased account peddled for years by hard core feminists headquartered in San Francisco:  “There’s always been a space in the circus where women can be physical.” 

       RECALLING THE ROLE of women in big tops,  Douglas spins magic describing Patty Asltey, wife of modern day circus founder,  Philip, riding on horseback around the ring “with her hands gloved in a swarm of living bees!”

     THEY'VE WALKED HIGH WIRES for years, swung free and high, posed on pachyderms, danced over horses.  For years.  Except that ... Except that what? Well, for starters, did they ever climb the Chinese poles or –  LOVE this one – serve as CATCHER on the flying trapeze?  Those are among the skills our new-line big top disputers are aiming to take on ....  It’s a novelty sure to tickle a jaded public that may be restless for something beyond the current, increasingly predictable staples.

The gang was all there: Kiyome Hara, Chester Cable, Michelle Wiertalla, Wini McKay, Alex Smith, and Betty Smith.

      GOING NUCLEAR AT GARDEN BROS., as reported by a tickled Alex Smith, sounds like a rousing good party  in a semi-brawling concession pit. That is, a little messy and rowdy and more like old  Barnum than new Cirque. Says our man on the lot:  “They’re not PC including a dog act, World’s smallest man ... and they're full of acts I'm unfamiliar with." Now, that I like -- a lot.  "I can tell you already it’s noisy with vendors and uncontrolled audience, but then I guess it is NUCLEAR” Brilliant deduction, Alex!  For the first time, I actually have a yen to take in this easy-to-knock enterprise.

     THERE'S A RESTLESS PUBLIC out there that wants circus, but wants it against safe and stale formats.  Wants a little more, dare I see, gruff and wild? Claims Alex, “They packed them in a straw house,”and that ads up to  2,185 people.  If you dig deeper into the Yelp two-star average reviews, you may find reason to go see for yourself.  Even in a mess, sometimes you can spot genuine quality.

 

       MAKING CIRCUS ART IN SIN CITY -- MAYBE:  Vegas to host the first International Circus Festival, slated for Nov. 1 - 10, organized by trapeze flyer Renato Fernandes,  seen above, who enjoys credit for the first in history to turn a Double Twisting Layout and Half.  Far from the rowdy Garden party, Renato is burning to produce a  “new spectacle that transcends borders, celebrates diversity, and enriches communities”  Somebody please give me a  break!  Hasn’t circus been naturally doing this for centuries?  

      BUT GOING DEEPER  into the website, this I nearly missed: This project will only be funded if it reaches its [funding] goal by Wed, June 12 2024 12:00 PM PDT. 

      ONTO THE MORE CONCRETE "IMMERSIVE," the latest new word, which Renato drops and which the Felds started floating on their last show that dared call itself a circus — the one that came crashing down in 2017.  Back at it without “circus” in the tile, heck, if  New Ringling really wants to maximize such all-encompassing encounters, I’d suggest putting the audience in the ring, and running the show around and over it.  And maybe into it.  Oh, what a perverse new spectacle, just in time to be rendered more chillingly harmless when robots in spangles arrive.

Know what? I am already feeling homesick for the Garden jam. 

Back on the Ringling Watch: Show Packs Barclays Center, Says One in the Know -- Average Rating on on Yelp, Updated: 1-1/2 Stars ...

UPDATE:  Don Covington sent me the New York Times article on the new Ringling.  Turns out, it was not a review, but a feature about how the new show came to be.  Why the Times will not review is very puzzling.  Thank you, Don!

++++++++++++

Fastly trying to catch up, having heard the show "strawed 'em" over a three day stand in Barclays, once again I set out on the review trails to see what I could find. About the same as before.   Show did pull, at last, what appears to be a real newspaper review, from the Orlando Sentinel, and a good one, from what I could see before being blocked by the "sign up" gate.   And I find a review on March 2 in the New York Times, but I can't read it, nor is there mention of it on the Ringling website.

Here, totally copied and pasted,  is a string of reviews on Yelp. Some I may have already posted.

Start Yelping, America!

Not just missing the Animals and the Clowns but the voice of the Ringmaster ???? Couldn’t see the screens and lights blocked many views! Not four our 3.1/2 yr old grandson…. He was asking where’s the clowns and elephants??? Why not include some animatronics ? Just sad and expensive

2.0 star rating Anonymous from Houston, Texas

A LOT SMALLER CIRCUS THAN I FIGURED

I was thinking Ringling Bros. and Barnum & Bailey Circus was the circus of all circuses. I was wrong. Arabia Shrine Circus was much bigger, had more and just seemed overall better, and it's a quarter of the price. I won't go to another Ringling Bros again.

1.0 star rating Merlotsmom from Bossier city La

NOT A CIRCUS AT ALL

All we saw was acrobats swinging back and forth, the worst CLOWN show ever, and a fake robot dog. I wish I had my money back. The tickets were not worth the price we paid and the show was a pathetic two ring mess. Our Shriners circus is way better!

1.0 star rating Jere from Chicago, Illinois

THE WORST SHOW ON EARTH

False advertisement. Not a circus at all, more musical than anything. Total disgrace, all it was were acrobatics and dancers with lil talent. Clowns was horrible no tricks or shocking entertainment. The host(main speaker) was lip singing, sounded like it was pre recorded. No motorcycles or animals like lions tigers n elephants but they had a fake robo dog which was TRASH!!Food horrible. NEVER!! Gotta do better. Do yo homework on universal sol circus

1.0 star rating Debbie from Kansas City

DISAPPOINTING

The circus was a complete disappointment. Not one animal (not even a dog) and no clowns. Kids were restless with singing and drums. Will not be going again.

1.0 star rating Denis from jacksonville florida

DISAPPOINTING

I wouldn't go again. It is not circus anymore and the show is nothing special...acrobat shows that you saw hundred times already, cheesy Disney like singing of song....it was boring and not worth the money.


Photo of Andrea W.
Andrea W.
FL, FL
0
8
Jan 7, 2024

Just not the same. Plus $35 for cotton candy $14 for crushed flavored ice in a cup !!! Hello !!
The ringmaster at Amalie Arena was mediocre and none of the clowns could get the crowd 'going'
I am sad our grandsons will really not know 'the circus' with its wonderful smells sights and acts! But happy our grown daughters (41/39/26/33) all did. Year after year after year. And so on !
Times they are changing -for sure!!
Photo of Melba P.
Melba P.
Chicago, IL
0
8
1
Nov 7, 2023

BORING!! Bring back the animals!

This was a subpar Disney performance at best.

I did enjoy the acrobats and highwire performances, though.
Photo of Mark I.
Mark I.
FL, FL
0
2
Jan 27, 2024

It's really not a circus. No animals, no clowns, just an acrobatic show. My kid was very bored. Plus a popcorn and cotton candy cost $34. Complete disappointment. Do not waste your money and time.
Photo of Cindy I.
Cindy I.
CO, CO
0
1
Nov 5, 2023

Lamest show on earth!! No clowns and no animals made no fun for the kids! The "new approach to the circus" was not good enough to have the Ringling Brothers legacy! Don't waste your money on this, but go to a rodeo instead for great entertainment with animals and clowns and authentic danger!
Photo of Mike O.
Mike O.
Belle Isle, FL
0
2
Jan 14, 2024

After reading the first review of this, I was actually expecting to see a circus. Let's make it clear, Bello Nock, elephants, trained animals of any kind, or any talent worth paying to see was missing from the performance. Exception: 3 girls doing impressive contortions and balancing. This must be an old review or a very fake review that is listed as the first review. Here's what the show was not. It is not a circus. It is definitely not the greatest show on earth. And you don't have to be someone who has been to an actual circus back in the Glory Days when you had animals, talent, clowns, exciting acts to watch. Nothing here was equal to your standard street performer that you would see down at the Key West sunsetfest every night, or during Mardi Gras in New orleans. There was a lot of stuff going on but nothing exceptional, no animals, people clowning around but they weren't dressed up as clowns, and a sorry b team or even c team Tina Turner like I guess you would call ringleader. Definitely not a circus. Quite the disappointment.
Photo of Robert H.
Robert H.
Excelsior Springs, MO
0
1
Nov 12, 2023

Save your money.. I bought the tickets so my wife and I could take my 3 year old grandson after he had his second open heart surgery. The show lacked a lot. There was a lot going on all the time but not very entertaining. The sound system sucked, the acts were at times boring and pretty uneventful. We left shortly after intermission. Wished I could have that $200 back again..
Photo of Maggie C.
Maggie C.
Collinsville, IL
0
3
Dec 17, 2023

this was a very disappointing show. there were no clowns, animals, and very little actual circus performances. it was about 80% just singing and very bad dancing. I'm sorry, but singing and dancing is not a circus. it's a show I would not recommend or ever go to again.
Photo of Michael S.
Michael S.

END OF STREAM, back to me.

What were they to expect?  Hasn't the circus that dare not speak its name -- removed its name?  It's a show, stupid!

From the photos/videos I have seen, biz looks very good ... 

Most interesting/telling Yelp comment to me is this: "the show is nothing special"