CIRCUS SPRINGS ETERNAL, does it not? A clump of papers, e-mails and notes before me, ignored or kept back in a gathering year-long stack, promise some kind of attention ahead, as I ramble through them before the current season goes bye bye into the barn ... After a rough shuffle, here is what randomly I face, from the top ..
“A WEIRD AND WONDERFUL LIFE” for the Zoppe Family, headlined a 2022 story from Redwood City’s On Line, Dan Brown, profiling the old world Zoppes, with a focus on the current Zoppe leading the zip, Giovanni. They are doggedly old tradition, circa1842, all except for not using candles. Why not? Answered Giovanni’s wife and marketing director Jeanette Prince, to Brown: “Only because the fire marshal won’t allow it!” In the tent photo, above.
SCOTT O'DONNELL, Circus World’s departing CEO, letting go of having to deal with its new bureaucratic owners, the Wisconsin Historical Society, as he tactfully implied to me when I called him. An undercurrent of acute disappointment came through ... A big big loss in my outsider opinion. A new CEO yet to be named. The selection might tell us about the split. Watch for a big name insider.
COME ALIVE! ... Staying closer to vintage sawdust, the new musical in London town, Come Alive! The Greatest Showman, is drawing boffo notices and luring good crowds to its little 700-seat big top .. . Seems that the parade flies highest on songs and acts, lowest when stumbling through inane story telling nonsense: Whoever went to a circus for this? Memo to theatre snobs of increasingly idiotic irrelevance: Out, damn dramaturgs, out!
SID KELLNER WAS SOMEBODY ONCE His brief reign as big top tycoon with James Bros Circus, founded with a popcorn machine in the 1950s, left some of us forever enamored of what he might have been. Among them, Don Macks and Alex Smith, the later recalling for me the day at Bentley Bros Circus in Vallejo, 1989, when Sid was guest of honor. Chester Cable "gave great stories about Sid, wrote Alex. "He was a handful," added Winni McKay. I can relate, having toiled for King Kellner, and yet still miss his him to this day.
GIVING NEW RINGLING A RAVE While major media refused to review the circus that dare not speak its name, in effect letting it review itself to Q&A reporters, a few others fearlessly filled in the void. London’s front line circus watcher and critic Douglas McPherson issued golden accolades, impressively noting the absence of many Cirque things that some of us, myself among the doubters, expected to see. “Ringling has not switched camps. There is no story line here, no theme, no message, no attempt to dress circus up as art.”
SO HOW NEW OR NOVEL IS IT? “It’s a traditional circus, perhaps we should say New Traditional," opines Douglas. I like that, although “new” is still being mostly met by an avalanche of unhappy Yelp Reviewers, wanting nothing to do with a sterile makeover. I’d guess there’s a younger crowd ready to be entertained, and that, given ticket and concession pries, the Feld of Felds may be cleaning up, ho ho. Show has dates lined up into spring.
“WITH THE GREATEST OF EASE,” we once sang of the daring young man flying high. That word ease, and example of which -- Belmonte Cristiani, above, long ago -- feels more meaningful to me now, as the ageless delight is more and more strapped to mechanics (lifelines, kids). An abundance of unprotected ease charmed my heart while watching one of my favorite DVDs, highlights of the Ringling show as broadcast in 1968. Then to my eyes, ease was more noticeable than now. Ease in the landings. Ease in the connections. And why might that be?
THE PERILS OF SHUNNING PERIL Could it be that performers in a circus without mechanics are driven out of fear to perform more cleanly so as NOT to risk a fall? Oh, how softer the landings, how crisper the connections back then, before Soviet Circus era safety wire precautions invaded and practically emasculated the rings. Oh, how majestic the artistry! Even Charlie Bauman, such a gracious showman, held court among his chummy tiger friends with the greatest of ease!
HAS THAT ACT A NAME? Increasing frustration, pulling up a website and wishing to see photos and names of the acts. You might find photos with no names, or you might find nothing. Here are three shows that deny us the obvious: UniverSoul, Royal Hanneford, and Zoppe. I understand this annoyance is also offered Brit fans by some of the circuses over over there.
AND OVER THERE IN BRIT LAND, the lions aren't roaring any more than they are over here, and most big tops leave four legged critters out of the lineup. Doggie stars everywhere should go on strike! Has anybody heard of The National Dog Show? Slowly, some of our more timidly produced shows are daring to reboot canine capers. Big Apple Circus brought back a pack of them to its recent Lincoln center opus. all only because, of course of course, yes, yes, okay they were “rescued from dog shelters.” Below, the three human fountains on Big Apple -- a knockout.
CIRQUE DU YOU TUBE Circuses near and far are never far away on You Tube, and that’s an armchair luxury. Cirque du Soleil on the comeback trail is putting out one hour compilations of acts from three of its shows, and what a leap from where they were when last I saw them. Now what I behold is the most persuasive merge yet of circus and ballet. And I thought it couldn’t be done. There’s even a fake animal on the bill. Really, rebranding is in order: Cirque du Ballet – Eye Candy Acrobatics. Would two hours of what I saw hold me? Not so sure, the artistry seemed on the fundamental side, the acts maybe Montreal made. There latest opus, ECHO, a $30 million baby three years in the womb, is drawing wildly mixed notices, the negatives impatient with opulently obtuse narrative nonsense. Below, oh by gosh by golly, a fake horse -- out of desperation?
BILLION DOLLAR BIG TOP Per Fortune Magazine last April, though Cirque’s attendance is up from from pre-Covid levels (sales then dwindling), they “remained saddled” with half a billion-plus in debt. No longer much of a fan, yet I rue, driven by the mesmerizing eye candy alone, not having seen them when they were in San Jose recently. You Tube images are shimmering, bodies flying and floating over and around each other through staple acrobatics. Yelp reviews reveal a growing number of people growing tired of it all.
DOWN THE LANE OF TALBURT A late-breaking entry, inspired by watching on You Tube a video he took of the wining Beatty-Cole performance in 1993, this is to acknowledge his great visual contributions to American circus history. I am watching all the acts, clearly filmed, unlike so many videos taken by patrons from a fixed location, behind poles and patrons passing. Such a pleasure. Thank you, Santa Lane!
A TELLING VOICE I WILL MISS: The passing of Bill Taggart at 94, a prime contributor to my coverage of the last days of Ringling under canvas in 1956, as profiled in my book Fall of the Big Top. His days on the Big Show in the yellow ticket wagon involved show-sanctioned short changing, a rather shocking reality he made known to me and in articles he wrote. He also shared with me a disclosure on John Ringling North's personal proclivities, hard to believe, but then backed away and asked me not to repeat them. Maybe more on this in the coming year.
RARE VALIDATION AT CAMBRIDGE A smiling cross-pond discovery this past year that my first book, Behind the Big Top, originally published by A.S. Barnes over here, the Tantiviy Press Over there, was published an online in 2009 by Cambridge University Press. A cap and gown for me? I had felt honored that the book was was reviewed by circus connoisseur par excellence, Antony Hippisley Coxe, excerpts
of which appear at the top of the book's listing. These seem to
include only his warmly affirmative words, not his extensive criticisms
of incredibly inept editing and sloppy research on my part, all justly
held. I look forward to re-reading Coxe's wonderful 1951 A Seat at the Circus.
STILL MISSING CIRCUS REPORT The nice lady e-mailing her pleasure over the fist of seven posts I did on Circus Report founder and long time publisher, Don Marcks (she was a part of his variety shows), and anxiously waiting for more to come, and then, when more came, going silent thereafter. Did I err in showing his more human side, such as a marriage quietly annulled? Many of us still rue the absence of Don's labor of love, Jim Royal among them: "In those pre-internet days, Mr. Marcks provided a very valuable service to our industry." Were Don alive today, I have no doubt that he would be putting out CR online.
LET THE FIFTIES PROUDLY PARADE! Let me send you off whistling up a long long list of circuses touring these shores in the year 1959, as provided by John Swan’s The Circus Review. You might be as amazed as was I, coming across this by accident. And who was the idiot quoted on Pledge Break Society’s (PBS) intolerably sloppy documentary, Circus, clamming that Ed Sullivan "killed the circus" in the the 1950s? Here are all the circuses he did not kill.
Humbug!
UNDER-CANVAS CIRCUSES
Adams Bros. & Sell Circus.
Beers Barnes Circus
Carson & Barnes Circus
Cristiani Bros. Circus
Clyde Betty & Cole Bros Circus
Famous Cole Circus
Garden Bros. Circus
Hunt Bros Circus
Hagen Bros. Circus
King Bros Circus
Kelly-Morris Circus
Mills Bros. Circus
All G. Kelly & Mile Bros circus
John Strong Circus
Sello Bros Circus
INDOORS, BALL PARK CIRCUSES
All American Circus
Bailey Bros Circus
Clyde Bros Circus
Circorama
Dobritch Circus
Orrin Davenport Circus’
Don Francisco Circus
Faabian’s circus
Gil Gray Circus
Gene Holter Wild Animal Circus
Garden Bros, Circus
Hamid-Morton circus
Harold Bros Circus
James Bros. Circs
Polack Bros Circus
Rudy Bros Circus
Ringling Bros and Barnum & Bailey Circus
Tom Packs Circus
The billowing big tops remain a world unto themselves, operating slightly on the edge of mainstream society and culture. And may they remaini that way – exotic to robotic, real or fake, candles or no.
Keep your cards and e-mails coming. You never know what might appear here next December 31. I am not so prone now to carelessly throw stuff away. In fact, if the stack warrants, I might do a mid-year catch up in '25.
HAVE A HAPPY SNAPPY NEW YEAR!!!
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