.
Here on one of many empty or semi-empty circus lots, as I soldier on through the popcorn and lemonade pestilence battering our big tops into the trouping wounded, I have more news that’s not the greatest – to share or burden you with. So, here it is, first draft direct:
About that headline up there, I got an e-mail from one Emily Williams, an indie producer of radio shows for the mighty BBC, asking me if I had time for a “quick chat” about “circus in America.” Oh, how interesting, I thought, e-mailing back that I was flattered with the attention from across the Big Pond, and that such a quick chat would be fine with me – cracking that there is so little left of the American circus to chat about.
.... Emily was somewhere in France when she rang me up, and shared her delight at seeing so many circuses over there, even the smaller ones, presenting lots of animals. When I told her — brace yourselves, kids – that any circus owner in the U.S. daring to present a single elephant on the bill is committing box office suicide, she seemed oddly perplexed. Why, she asked? It’s the current environment over here, I tried to explain. As for the Feld fold, she’s covered the usual suspects, such as Disney. Even got a spinning answer from Nicole Feld, when BBC was granted four Feld minutes for the interview. Seems the Felds and Disney are doing just fine, and, no, Disney did not ask us to shove the circus shows in the dumpster. Okay, Nicole. Enough of that -- other than to say, this story will only get bigger as more people come out from behind their smiling I-love-all-circuses- faces, and start going public on what they really feel about Mr. Feld.
The new show
Exotic ensemble action from foreign lands -- a critical Big Apple Circus component? Seen here is The Dosov Troupe from Russia, stars of the show some years back.
So, let’s spin this critical New York snub into some conspiracy options: (1) the critics went out to the opening, last Sunday, did not like what they saw, and their pallid notices were held back by editors in deference to the pestilence that has visited BAC the last two hapless season. (2) The critics are still waiting for comps from the new PR staff. (3) There is bad blood between certain powers in the city and the new owners. (4) The roller skating act. (5) This is VERY strange. Paul Binder, seen here, is as mum as the critics, and has been missing from his blog since Sept 1. You may recall how he lavished his passionate support on helping to save the show, raising nearly one million towards a two mil goal. He showered words of good wishes on the new owners, upon learning of their bid being accepted. And then, the founder and the heart and soul of BAC went silent. Are there unseen forces of fate conspiring to link some of these elements into a subtle campaign to thwart the new big top bosses on the lot? Have you a clue — are any of you, in fact, still reading me? ...
His Jumbo about to be run off the lots in all of Ohio and New York State, John Ringling North II is outta here.
No Animals, No Johnny in the seats. Leaving New York for Hugo, in a rare interview, John Ringling North II, ruing big tops without animals, told NewsOK, "That's not the circus I grew up in and not how I want to carry on." He put Kelly Miller up for sale, the final straw being the state of Illinois banning elephants from the ring. He’s since sold the show to somebody, name not spelled out when I e-mailed him my curiosity. One lingering thought: When clowns Steve Copeland and Ryan Combs left the show a few years back, a slow to ominous drop in North’s promising showmanship began. But I still regret this sad end to the House of Ringling, same fateful season as when the House of Feld gave up. Anybody still with me deserves some feel-good news. A dream floated for another season that may never come to be. Here comes a bright shining star of hope ...
John Pugh’s passion resurfaces. What heart I took in the Cole Bros. Face Book page sent to me by Barry Lipton. There, John is back on his feet, feeling the faith, hearing the distant blast of brassy trumpet and hammering drum, wanting to, somehow, someway, go back on the road again. Don’t you just love this guy? Says he, hoping to raise $350K in donations by the end of this month: "We deeply thank you for your kind consideration, and for helping to keep the 'Magic of the Circus' alive for children of all ages!".... Now, maybe, since Mr. Feld has removed himself from the red wagon, with all his billions to spend, he might kindly dole out a little chump change to those struggling U.S. circuses (of proven merit) fighting to face another season and carry on ...
Here’s another idea for the nicest showman under the big top: JOHN, CALL PAUL! Yes, Paul, as in Binder. Maybe he can give you some inside tips on raising funds for your goal. The great ones never stop dreaming, and so, suddenly I tell myself, this is the perfect way to end this end-of-the-line post ... Anybody out there still reading me? Hey, without a lot to stand on (a"lot," as in a field, a path of weeds, an abandoned graveyard, a shopping mall), at least we can -- no no, I better not go there.
And that’s a wobbly wrap on this sinking spot.....Gotta get this one posted before those New York critics come through and put mud on my face. Isn't this exciting in some odd ball way???
5 comments:
The New York Times finally reviewed BAC just a couple of hours ago. It's a pretty tepid review.
I'm curious about Paul's silence.
Yes, tepid is how it struck me, especially the way it ends. I'm waiting to see what others may say.
Paul's silence. Very very puzzling. I hope he is okay.
https://www.nytimes.com/2017/11/07/theater/the-big-apple-circus-review.html
So do I. I've been a Binder loyalist since 1988. It's his world, we just lived in it.
That idiot hack the Times sent obviously knew absolutely nothing about circus history. To say that an acrobat "fumbled" a quad attempt is a clear display of total ignorance of the art form.
Post a Comment