Update: 11//7: The New York Times issued a rather ambivalent review today, forwarded to me by Lane Talburt, and it reads lackluster, but, amazingly, it gives the show a critics pick -- good news for the owners. I'll resume this topic once enough time has passed for other possible reviews in the works to surface, and then discus them altogether.
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Here on one of many empty or semi-empty circus lots, as I soldier on through the popcorn and lemonade pestilence battering our big tops into the trouping wounded, I have more news that’s not the greatest – to share or burden you with. So, here it is, first draft direct:
About that headline up there, I got an e-mail from one
Emily Williams, an indie producer of radio shows for the mighty
BBC, asking me if I had time for a “quick chat” about “circus in America.” Oh, how interesting, I thought, e-mailing back that I was flattered with the attention from across the Big Pond, and that such a quick chat would be fine with me – cracking that there is so little left of the American circus to chat about.
Was fun talking by phone the next day to the cheerfully inquisitive Emily. Our chat was hardly quick, we skated over many subjects pertaining to the shocking fall of the circus arm of
Feld Entertainment, she being particularly interested in its hard-to-believe ending. When I asked her, mid way through an hour plus chat, what is your focus in this piece? Bluntly came the answer, “Who killed Ringling?” Oh, well of course, I can tell you that, and I gave her a blunt answer in two little words, and can you guess them? ... Ms. Williams, who had taken in the final performance of
Ringling Bros. and Barnum & Bailey getting lost over ice somewhere out of this world, was stymied by the complicated story line, but loved some of the same acts that I did ... She has poked thorough the buzz of Sarasota town with tape recorder in hand, asking the same killer question to a number of the famous locals, getting in reply, everything from allusions to better circus stars in days gone by --- to anger with
Kenneth Feld, seen in the photo.
....
Emily was somewhere in France when she rang me up, and shared her delight at seeing so many circuses over there, even the smaller ones, presenting lots of animals. When I told her — brace yourselves, kids – that any circus owner in the U.S. daring to present a single elephant on the bill is committing box office suicide, she seemed oddly perplexed.
Why, she asked? It’s the current environment over here, I tried to explain. As for the Feld fold, she’s covered the usual suspects, such as
Disney. Even got a spinning answer from
Nicole Feld, when
BBC was granted four Feld minutes for the interview. Seems the Felds and Disney are doing just fine, and, no, Disney did not ask us to shove the circus shows in the dumpster. Okay, Nicole. Enough of that -- other than to say, this story will only get bigger as more people come out from behind their smiling I-love-all-circuses- faces, and start going public on what they really feel about Mr. Feld.
The new show
Onto the Big Apple Circus saga, minus legit New York acclaim: Okay, I can’t hold back anymore on my total shock at having looked for reviews of the new, now for-profit
edition at Lincoln center, and finding NONE in any of the major NY dailies ---
Times, Post, or
Daily News. What in the xxx*! is going on back there? All of the hoopla about New York’s own circus getting revived out of bankruptcy, returning to Lincoln Center, and NOTHING from the NY critics? There is but one review, very good, in a paper I never heard of,
Theaterpizzazz.com, and so I’m waiting for more reviews before I make anything of it or any other review, if there are any more to come ...
Exotic ensemble action from foreign lands -- a critical Big Apple Circus component?
Seen here is The Dosov Troupe from Russia, stars of the show some years back.
So, let’s spin this critical New York snub into some conspiracy options: (1) the critics went out to the opening, last Sunday, did not like what they saw, and their pallid notices were held back by editors in deference to the pestilence that has visited BAC the last two hapless season. (2) The critics are still waiting for comps from the new PR staff. (3) There is bad blood between certain powers in the city and the new owners. (4) The roller skating act. (5) This is VERY strange.
Paul Binder, seen here
, is as mum as the critics, and has been missing from his blog since Sept 1. You may recall how he lavished his passionate support on helping to save the show, raising nearly one million towards a two mil goal. He showered words of good wishes on the new owners, upon learning of their bid being accepted. And then, the founder and the heart and soul of BAC went silent. Are there unseen forces of fate conspiring to link some of these elements into a subtle campaign to thwart the new big top bosses on the lot? Have you a clue — are any of you, in fact, still reading me? ...
His Jumbo about to be run off the lots in all of Ohio and New York State, John Ringling North II is outta here.
No Animals, No Johnny in the seats. Leaving New York for Hugo, in a rare interview,
John Ringling North II, ruing big tops without animals, told
NewsOK, "That's not the circus I grew up in and not how I want to carry on." He put
Kelly Miller up for sale, the final straw being the state of Illinois banning elephants from the ring. He’s since sold the show to somebody, name not spelled out when I e-mailed him my curiosity. One lingering thought: When clowns
Steve Copeland and Ryan Combs left the show a few years back, a slow to ominous drop in North’s promising showmanship began. But I still regret this sad end to the
House of Ringling, same fateful season as when the
House of Feld gave up. Anybody still with me deserves some feel-good news. A dream floated for another season that may never come to be. Here comes a bright shining star of hope ...
John Pugh’s passion resurfaces. What heart I took in the
Cole Bros. Face Book page sent to me by
Barry Lipton. There, John is back on his feet, feeling the faith, hearing the distant blast of brassy trumpet and hammering drum, wanting to, somehow, someway, go back on the road again. Don’t you just love this guy? Says he, hoping to raise $350K in donations by the end of this month: "We deeply thank you for your kind consideration, and for helping to keep the 'Magic of the Circus' alive for children of all ages!".... Now, maybe, since
Mr. Feld has removed himself from the red wagon, with all his billions to spend, he might kindly dole out a little chump change to those struggling U.S. circuses (of proven merit) fighting to face another season and carry on ...
Here’s another idea for the nicest showman under the big top: JOHN, CALL PAUL! Yes, Paul, as in Binder. Maybe he can give you some inside tips on raising funds for your goal. The great ones never stop dreaming, and so, suddenly I tell myself, this is the perfect way to end this end-of-the-line post ... Anybody out there still reading me? Hey, without a lot to stand on (a"lot," as in a field, a path of weeds, an abandoned graveyard, a shopping mall), at least we can -- no no, I better not go there.
And that’s a wobbly wrap on this sinking spot.....Gotta get this one posted before those New York critics come through and put mud on my face. Isn't this exciting in some odd ball way???