The Best American Circuses, 2011: Showbiz David & Others Rank them -- Only One Show Makes Everybody's List

From 10 years ago

 

We need a feel-good post about American circus.  This is the best I can do for the moment.  We were something then!  Hope you might enjoy.

From Showbiz David, Critical Feedback Division

No two people will ever agree on which show is “best,” and where to place the rest in order of quality. At the bottom of this post, I am pleased to include, in the order in which they were received, the top three picks of other contributors, which makes this so much more interesting.

My ranking criteria

For my money, what separates the best from the least? Surely, the strength of the acts, but that alone is hardly a guarantee for a winning program. Making the biggest difference are production values, from lighting and costume design to music, announcing, pacing and contrasting dynamics.

Some trends, good and ill

Every show offers reasons to go: All of the circuses listed here featured at least one or two — or more — notable acts, and most offered a wide variety of action.

Animal Attitudes: With the one exception of Circus Vargas, all of shows continue to offer the public entertaining animal acts. And the majority of the shows — five — still usually include wild animals in the mix. All of which evidences the public’s continuing preference for the full “traditional” program and the success of circus owners in fostering its confidence.

Ringmasteritis: A disease suffered by hack virtuosos of verbosity (aka: “ringmasters”) who can’t shut up and/or grovel to the crowd for coached applause and cheering. “How are you enjoying the show so far, everybody?!!” Four of the companies — Ringling’s Barnum 200, Cole Bros. Circus of Stars, Circus Vargas, and Carson & Barnes -- all carry verbal blowhards worthy of gag-order restraints.

The carnival in the tent: The crass integration of concession pitches throughout the program and hyper-active intermission rides and photo ops does nothing to enhance a show's artistic impression. Four of the shows listed here continue to pursue this course at their own risk.

Effective tape-recorded musical scores: Two of the companies — Cole Bros.Circus of Stars and Circus Vargas — prove that well constructed musical scores tape recorded for playback can actually be superior to small straining bands. “Live” is no good if your musicians are too few in number or can’t cut it.

The shows considered

I saw five of these circuses in 2011. I am factoring in two others: I caught Kelly Miller in 2010 (quite similar to the 2011 edition), and UniverSoul in 2005. I believe my rankings reflect their general quality. I am including only medium to large sized shows that present fixed programs during a regular touring season lasting many months. Thus, for example, shows like Circus Osario or Circus Bella would not make my list.

The Showbiz David 2011 Picks

1. Big Apple Circus (Dance On!) A nearly perfect performance. Superlative production values, not overly wrought, excellent acts of noteworthy innovation. Excellent music and clowning, a joyful reach. New Artistic Director Guillaume Dufresnoy is good news — the perfect figure to extend the Binder-Christensen legacy.

What to wish for: More substance in the air. If there is to be a ringmaster, let him/her speak a few words.

2. Ringling Bros and Barnum & Bailey For all that’s been said, the Felds continue to scout some of the best acts in the world, and they experiment with compelling new modes of presentation, even if they can’t resist overplaying their bag of flashy visual tricks. The acts may vary from first rate to forgettable, the music from brilliant to pedestrian, but their costumes and stage pictures are atmospherically outstanding, and they know how to build to a rousing climax.

What to wish for: A more consistently high grade performance, less heavy-handed showmanship. At Coney Island over two summers in a single ring, where they placed talent over fireworks, they produced their best two editions in years.

3. Kelly Miller Circus A promising work in progress from John Ringling North II, who has proved his Ringling credentials revealing a conservative deference to traditional circus while modestly testing the creative waters.

What to wish for: A more frequent turnover in performing personnel. This may be the most critical issue facing North, who at some point will have to let go of favored performers, that is, if he does not wish to alienate his positive relationship with the pubic. He needs a little stronger lineup. And, if he wishes to go the distance as a first-rate showman, he will have to shake off those old show-disrupting Hugo merchandising habits — a direct smear on the House of Ringling. This show has a nice warm feel and a friendly flow, and it covers the solid basics with good music and announcing.. In fact, the two circuses I most looking forward to seeing again are this and Big Apple.

4. UniverSoul Circus A difficult call, because I’ve not seen the show since 2005, but given website information on the current edition, it likely deserves this or a higher slot in my rankings. The funky UniverSoul Circus offers a strong muscular mix, if awkwardly merged, of traditional circus acts (some imported), Afro-centric hip hop routines, wild animals, a quirky character clown named Onion Head, and the oddly incongruous end-of-the-show morality skits.

What to wish for: a smoother integrated program minus the preachy melodramas that can drive customers to an early exit. Truly, these veiled sex, drugs and misogynistic enactments give breathtaking new meaning to the term “Sunday school show.”

5. Circus Vargas A show of moderately engaging action that varies from first rate to acceptably standard. It could and should be so much better, if only the owners would step back, let go and hand over the direction to a strong outside party. Along with evidence of smart staging in precious few spots, there is a lingering air of audience pandering desperation throughout the overly-hyped performance, including the exit path that patrons must take past performers waiting out in the connection to be flattered, smiled at, asked for autographs.

What to wish for: Better comedy, a better presentation. And, irony of ironies, a flying act that actually flies.

6. Cole Bros. Circus of Stars A far cry from the old Beatty-Cole three-ring show (presented in three rings) when the music was live, the clowning strong, the mid-level acts of even merit professionally paced. Cole’s taped musical score, as noted above, is generally excellent. Its lineup is wildly uneven, from charming animal and aerial ballet effects to pedestrian thrill turns rehashed year after year. The rectangular arena-shaped setting gives the performers a semi- stranded look. The excessive announcements grow quickly grating. And the clumsy staging (including a gauche fork lift truck for major prop changes) casts a dreary impression.

What to wish for: This show needs a total rethinking of the performance format. Messrs Pugh and Bale need to focus less on tent-show logistics, more on the performance itself.

7. Carson & Barnes It’s obvious the Byrds, to their credit, are genuinely trying to upgrade the show, what with a few world class acts and a rather expansive spread of action, some of it unfortunately bordering on rank amateurism. Most of their best moves forward are sabotaged by stale production elements they seem unable to retire (a bombastic ringmaster entirely out of place, for example), and the usual crass inclusion of concession pitches throughout the show.

What to wish for: Gutting the intermission, hiring a clown who presents new routines each year, and hiring a new, less talky, less overbearing ringmaster, would work wonders for the lineup. When they ran the show straight through without an intermission, Carson & Barnes now and then produced some of America's most exciting performances. They can easily do it again, but they must make drastic structural changes.

How Others Judge Them

And now, to the rankings of my guest-volunteer judges. After having set my own rankings in stone, I invited others to send in their top 3 favorites. The reason I confined the number to 3 was to make the task as easy as possible. A few of shows listed here do not appear on my rankings; since I have not seen any of them, I was in no position to consider including them on my o1n list.

From Harry Kingston

Says Harry, " I am always in favor of tent shows right or wrong"

1. Cole Bros. Circus of Stars

2. Kelly Miller Circus

3. Carson and Barnes Circus.

From Don Covington

1. Big Apple Circus

2. Kelly Miller Circus

3. Ringling Bros. and Barnum & Bailey

From Ron Finch, Newark Valley, NY

1. Kelly Miller Circus

2. Billy Martin's Cole All Star Circus

3. Cole Bros. Circus of Stars

From Becky Ostroff

1. Cirque Polynesian

2. Kelly Miller Circus

3. James Cristy Cole Circus

From Charles Hanson

1. Carson & Barnes Circus

2. Kelly Miller Circus

3. Cole Bros. Circus of Stars

Kelly Miller's Rare Popularity

For the fun of it, pooling all the scores -- mine and my five guest judges -- I assigned three points to any show getting a first place ranking, two points for a second, one point for a third. Here is what we get:

1. Kelly Miller Circus (12 points)

2. Big Apple Circus (6 points)

3. Cole Bros Circus of Stars (5 points)

The only show to make everybody's top three list, what is it about Kelly Miller? I believe it has something to do with the intangibles of spirit. Here is what Becky Ostroff said about Kelly Miller in her e-mail to me:

"I felt this gem of a delight flowed and kept my attention and was over before I knew it. What was not to love! All the elements of a classic show, animals, comedy, acrobatic, aerial, clowning and music."

Thanks to all of you, my guest judges!

first posted 10.19.11