Sunday, August 17, 2014
Sunday Morning with Don Marcks: The Glory that Was Vargas
Fans came to mingle on the midway, hoping to catch a glimpse of "Mr. V," hoping, better yet, to cut up jackpots with the fiery circus owner. This man of humble origins stared out a phoneman, and ended up a showman.
The crowds were healthy, sometimes the tent was packed, a rarity for me one night, returning from the Bay Area, after jumping off my bus, hurring over to the lot, only to be told, "it's a sell out." The show had just begun. I felt a let down, of course, but also a great joy for the show -- and for the American circus scene.
Here. from Don's letter to me, dated February 8, 1985
"Not much else happening. I heard that this year Vargas has his best show yet."
"Also, that he is excited about the fact the CFA will use his show as their convention circus this year."
It was, in my book, the best of all Vargas years, a peformance that topped all the others. He had a five piece band in the tent, riding the charts of pulsing jazz and Latin, interweaving songs from Broadway and the Great American Songbook, with a few old fashiony circus tunes tossed in. He had a well dressed show, a good balance of acts, a formidable elephant herd.
I probably saw the show three times. I used to do that, when I liked a show, I would go back. Did it with Ringling, not recently, though sometimes during Feld years as well as during the John Ringling North era.
Three rings still resonate in my mind.
Within only a few years, Circus Vargas would begin a gradual slide in performance values, as Mr. V. chased after other markets, and then started appearing in arenas, in direct contradiction to the press campaign upon which he had built his name: "A return to the circus under the big top, as it once was in America!"
He cast a spell over the entire circus community. In my lifetime, I can't think of an owner who was so admired, respected, and appreciated as much as Cliff Vargas.