Thursday, May 26, 2016

MIDWAY FLASH! ... Cirque du Soleil Lands Another Bomb on Broadway---Critically Speaking ... Show Looks Like Another Spiderman On Stage, But With Superior Circus Action ...

"Cirque du Soleil’s Paramour is crashing and burning on Broadway." screams The Globe and Mail in London, "and there’s no point in calling the paramedics. No team of show doctors could cure this bafflingly bad show set in the Golden Age of Hollywood."

In Gotham, site of the carnage, early reviews just in for Cirque du Soleil's Paramour, from Wall Street Journal to New York Times, point to a big floporama, with some great acts that only make the sub-mediocre musical this thing is supposed to be seem and feel even more dreary and second rate.

That's what I glean here in front of my PC in California, surfing critical reaction.

A mixed review from AP finds similarities between Paramour and Spiderman,  the latter having opened at the same theatre, where it enjoyed early popular favor but ultimately crashed and burned, to a colossal loss.

But Cirque's visual feast may hold an edge over Spiderman's in that, as AP notes, Paramour "has the ability to astonish."

From Vulture.Com: 

"Some things just don’t belong together, and you’d think that Cirque, having failed so miserably with New York productions of Banana Shpeel and Zarkana to force this unwanted conjugation, would by now have understood that, or at least have chosen better models and hired a team familiar with the workings of real musicals. It’s an especially arrogant form of carpetbaggery to think that, with enough money, you can do anything. Paramour was capitalized at around $25 million. That’s twice the cost of Hamilton, which admittedly does not include even one drone-controlled lampshade. That must be its problem."

Thursday, May 19, 2016

Revived Cole Bros Circus Hits Road with "Last Chance" to See Elephants; Also with Camels and Horses, Flyers -- and Tumbling Finalists from America's Got Talent


UPDATE UPDATE, 5/21, am, PST:  Ho, Ho, Ha, Ha! Yes, I'm becoming addicted to this strange stumble out of the barn.  Try connecting to Cole Central via the telephone number on their website.  You will be quickly transferred through to Ma Bell suggesting you hang up and ... yes, you know the drill! 

UPDATE, 4:36 pm PSTI have learned that Branchwater Productions, which appears on the website as the operator, would probably be John and Brigitte Pugh, for they live on a street named Branchwater Bend in Deland.  A search for Brancwater brings up a tape-distribution company n Sarasota.  The currently observable fact that "Big Top Circus" has not replaced the Cole Bros. title suggests, and I stress suggests, that Johnny is still somewhat if not completely in charge.

Yes, this  has become a rather amusing guessing game that just keeps on guessing!  So beware, my  speculations below may prove to be just that.  I am close to placing a moratorium on  myself for coverage of the Cole Bros. saga for a certain period of time.

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In some ways, fresh new compelling poster art seizes on the elephant act issue by promising patrons a "last chance" to see them.

Early dates look to follow traditional routing -- only, says Agent X, who raced me the news,  "just uncharacteristically late in the season!" --

It will likely stir some increased business from those wishing to have that chance, especially with kids in tow going to their first circus.  And, even more so, by the presence of the Chicago Boyz, a familiar act off  the popular television show, seen by millions.  Shrewd marketing, I'd say. 

How will it stir the dissidents?

Yet to be seen. True blue activists cheered the earlier news that Cole would NOT be going out with any wild animal acts.  Will they play nice and let circus lovers have one last season with a complete traditional big top?  Or make life even more difficult for the troupe?

Hard core protesters will claim a promise made not kept.  And, technically, they will be correct.

And so, they may intensify their harassment out of a paranoia that this circus -- especially when they get wind of the sale -- has no intention of retiring its performing pachyderms.

Considering that Dick Garden, when last I heard, was in charge, it could be a suicidal season in more ways than one. But I do think, in poster art, he's off to a blazing good start.

And, yes, you heard it from me.

Sunday, May 01, 2016

What a Joke! Where are the Elephants??

Update: A few hours after the so-called live streaming yesterday, I linked onto it again, and this
time it began with the elephants coming in, and the darkness was no longer there. I am wondering
if we were purposely kept in the dark and forced to endure audio only just BEFORE the last parade of the elephants.

If so, a tacky promotion. The Felds have a way of being brilliant one moment, banal the next.

Posted on May 1:

I've been at the Ringling Facebook page, inviting me to watch the live stream.  And I've been in the dark, all the while, listening to Ringling staff members talk about elephant cancer research, about the preservation angle, millions to charity, and about the new show coming up, which sounds quite dazzling -- ice to air to cement, I suppose.

Voices IN THE DARK.

What a fiasco.  Were we being teased?

Maybe it's my PC.

I think I missed the Big Show -- or maybe the elephants escaped, too nervous or distraught or depressed to call it a day, a year, a season, a career. Fearing a loss of public attention, of kids and peanuts and fun things to do in bright colored rings.