BIG TOP BITS ARE COMING AT YOU! ...
The fight to circus goes on, through mud and slush and pickets and red tape, and the best of them take it. We’re thinking John Pugh, fearless owner of New Cole, who circuses on despite perennial rumors to the contrary. Sarasota calls every five years — “I think this will be the last season for Cole” Oh? When I interviewed John in 2005, he seemed perfectly happy even struggling to keep his show on the road. Some circus producers do not give up. John retired the bulls one season, reprieved them the next, listening to his customers say go for it ... And I say go for it, too, John! ... On the other hand, THIS is ominous: New Cole (you know, Clyde Beatty-Cole Bros. for many years) did NOT offer a program magazine in 2007, a first. That bothers me ... Neither did the shuttered Circus Chimera or the still trouping Circus Vargas.
Down in Southern California, the Vargas show survived the burning infernos all around it, though biz was down. Vargas helped raise money for a non-perishable food drive in Orange County for fire victims, says Joan Hart. The daring men with hoses and emergency personnel were invited to the show, free of charge.
Not so lucky were two aerialists with Cirque’s Vegas Zumanity, the one losing her grip from a ribbon drape 15 feet above the floor and falling south, accidentally, onto her partner. Looks like both will be okay, and to that I send best wishes for a speedy recovery ... How sadly ironic given Cirque’s usual deference to mechanics and extra precautions. So many such accidents are not the fault of human error but of technical malfunction ... Life is dangerous, kids ...
Is Cirque's Guy Laliberte running low on magic? The unpretty notices in New York over the apparently plodding premiere of Wintuk at the theatre at Madison Square Garden do not bode well. Most of the critics point to mediocre acts. Said one, even a kid new to the big tops would instantly sense inferior tricks..... Which calls to mind a chat I fell into outside the Getty Museum in LA. a pair of years back with two women. Both from out of town and both Cirque du Soleil fans. Said one, “They are starting to water down the acts,” to which the other agreed. I recalled being unthrilled while I sat through Cirque’s super-abstract Coreto in San Francisco, being able to choose from many seats for about one third of them were empty. Bay Area Critics gave the show kudos. Dissenting letter writers in the San Francisco Chronicle said things I was thinking.
About Wintuk? Will the kiddies embrace it and render the critics impotent? Or, might the tide be turning in favor of tradition. Interesting to consider that Cirque, which drew folks away from circus, may eventually push them back to circus. Speaking of which -- circus --- cheers to Paul Binder's Big Apple , back in Gotham and drawing boffo notices ...
Bring on the animal-rights protesters! That's what Rene Storey, New Cole's VP, told the Orlando Sentinel's Rachael Jackson. "It usually helps our business." Now isn't that a novel twist. It suggests all sorts of devious scenarios that might help revive foundering big tops ... Love your sense of humor, Rene ...
Go, Carson & Barnes! From what I hear, your business picked up in 2007. I read it, Don Covington connected, in the Orlando Sentinel’s story about the hard times for John Pugh, who, nonetheless, is signing act contracts for 2008, putting to rest once again those tired old rumors I keep hearing. Another spring. Another chance. Maybe another crowd somewhere ... Pray for PETA publicity ...
--- filed by Cheerleader David.
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