“WE HAVE EVERYTHING THAT A CIRCUS MUST HAVE" -- Marvin Spindler

“WE HAVE EVERYTHING THAT A CIRCUS MUST HAVE" -- Marvin Spindler
Horses, Camels, Ponies, Donkeys and Dogs Coming to 18 American Cities ...

Thursday, September 27, 2018

The Morning Midway: Gay Cinema Without Bars, Hustlers & Suicide

Imagine this:  A young college student comes home with stars in his eyes, and is happily surrounded by his loving mother and sister, sensing he has just met someone special. So you can imagine them asking him, "Who is she?!"  No,  in this film they ask him "Who is he?!"

Movies about gay men have advanced by leaps and bounds away from the freak show that was Boys in the Band -- yes, an admirable ground breaker in its time to be respected.

How apt that one of the better examples of a new gay cinema without traumatic "coming out" segments, should be found in Akron  -- an intelligent, sensitive and very moving film that deserved far more attention that it has received.

I took a chance on Akron, a  2015 film containing the above scene -- the dad was also pleased over the news.  Surprisingly, it was ignored by virtually all film critics, save for two, the two issuing a split verdict.

From Film Inquiry,  "The film explores the complex emotions that come with any relationship, gay or straight. What it means to forgive, even for something minuscule, is questioned here – daring us to define what it is that makes us carry on. It is in this way that Akron succeeds: its ability to get at human experiences without coming across as cloying.

From OUT,   "Akron is a nice try at normalizing gay romance, but the film making needs the erotic and spiritual masculine energy of great gay cinema.

Excuse me, OUT, but why does a "gay" film need to be loaded with erotica and  masculine energy? 

Akron is one of a growing number of non-stereotypical movies that avoid the bar scene -- loners over pin ball machines,  hustlers working the room, riff raff casing it, couples in for a drink or for a  late night take-out to share.  I could list many other such films that are casting gay relationships in Normal Town, USA. 

I watched in the Specials section of the DVD, the writer and co-director Brian O'Donnell discussing the reception they got while filming in Akron, his own hometown.  The people, he said, who knew what they were up to, could not have been nicer.

And isn't that itself a great advance?

A few other fine films on Netflix I can recommend:

BPM
Call Me By Your Name
Holding the Man
In Bloom
Shelter
Weekend

Can you believe this: I am writing this during the latest Smut & Smear Circus in DC, too sick of the whole disgusting mess to have the TV on.  Silent it will stay.

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